Lecanomancy
Commissioned by the Institute of Modern Art (IMA) 2021, water, waterphone, plastic, charred logs, wood mulch, liquid smoke, subwoofer, electronics, amplifier, LCD screen, video documentation, dimensions variable. Video documentation: Charlie Hillhouse. Installation view: On Fire: Climate and Crisis, Institute of Modern Art.
Lecanomancy
Commissioned by the Institute of Modern Art (IMA) 2021, water, waterphone, plastic, charred logs, wood mulch, liquid smoke, subwoofer, electronics, amplifier, LCD screen, video documentation, dimensions variable. Video documentation: Charlie Hillhouse. Installation view: On Fire: Climate and Crisis, Institute of Modern Art.
Breathing, Humming, Drumming
Commissioned by Museum of Brisbane, 2019. Clay pots, with sound created through effect pedals, contact microphone, amplifier. Performance documentation from Museum of Brisbane. Photo: Charlie Hillhouse.
Breathing, Humming, Drumming
Commissioned by Museum of Brisbane, 2019. Clay pots, with sound created through effect pedals, contact microphone, amplifier. Performance documentation from Museum of Brisbane. Photo: Charlie Hillhouse.
Limbic Resonance
Aflame, A Singing Sun. Performed at Dark Path, Hobart, Tasmania. Photo credit: Dark Mofo/ Rémi Chauvin, 2019.
Limbic Resonance
Aflame, A Singing Sun. Performed at Dark Path, Hobart, Tasmania. Photo credit: Dark Mofo/ Rémi Chauvin, 2019.
Limbic Resonance
Aflame, A Singing Sun. Performed at Dark Path, Hobart, Tasmania. Photo credit: Dark Mofo/ Rémi Chauvin, 2019.
Aflame, A Singing Sun
Commissioned by UQ Art Museum, 2019. Gong, charcoal and metal, with sound created through effect pedals, contact microphone, amplifier. Performance documentation from UQ Art Museum, Brisbane 1st of March 2019 Photo: Charlie Hillhouse.
Aflame, A Singing Sun
Commissioned by UQ Art Museum, 2019. Gong, charcoal and metal, with sound created through effect pedals, contact microphone, amplifier. Performance documentation from UQ Art Museum, Brisbane 1st of March 2019 Photo: Simon Woods.
Aflame, A Singing Sun
Commissioned by UQ Art Museum, 2019. Gong, charcoal and metal, with sound created through effect pedals, contact microphone, amplifier. Performance documentation from UQ Art Museum, Brisbane 1st of March 2019 Photo: Simon Woods.
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